Raashii Khanna, who's gearing up for 120 Bahadur, has a style language that feels straight out of a love story, because she genuinely romances with her clothes.
Welcome To The Jungle's moment of truth arrives when Akshay pleads 'Hum sab bhand hain' in the face of fear and power. If only the rest of this slog was as self-aware as this single scene, notes Sukanya Verma.
At a time when the politics of hostility has engulfed the world and escalated it into senseless wars Main Vaapas Aaunga's unwavering belief in love is a testament to cinema's uplifting gifts, notes Sukanya Verma.
From Aishwarya Rai's magnetic Nandini to Mrunal Thakur's heartbreaking Sita, these Bollywood actresses proved they could do far more than just play glamorous imports in South cinema.
Ayushmann Khurrana's Pati Patni Aur Woh Do has secured a fair opening weekend at the box office, while Sanjay Dutt's Aakhri Sawal faced a challenging start.
'At its core, it's an honest love story. It's not trying to be loud or over-stylised; the strength lies in its simplicity and emotional truth,' said Lakshya, discussing his upcoming film Chand Mera Dil.
'...depicting a love story is hard.'
Save yourself a seat on the couch to binge watch these many OTT offerings of the week.
This week's OTT releases feature a diverse range of genres, from the adult entertainment platform-focused Margo's Got Money Troubles starring Elle Fanning, Michelle Pfeiffer, and Nicole Kidman, to the Hindi crime drama Matka King with Vijay Varma, exploring Bombay's gambling culture.
Dhurandhar dominated the March theatre scene, but April offers much more variety. Joginder Tuteja lists the threatrical releases for the month.
Kriti's glam, Rashmika's goof-up, and Shahid's banter. The trio made the song launch event for Cocktail 2 so much fun.
Sukanya Verma looks at instances of aristocrats falling for commoners on the silver screen.
From Bandit Queen to Dhurandhar, these Indian films pushed cinematic violence to shocking, stomach-churning extremes.
Ashish R Mohan's Daadi Ki Shaadi, starring Neetu Singh and Kapil Sharma, offers an outdated plot that fails to deliver on humour or emotional depth.
The makers of Hai Jawani Toh Ishq Hona Hai, including producer Ramesh Taurani and Tips, have vehemently denied producer Vashu Bhagnani's allegations regarding song ownership, calling them a "smear campaign" ahead of the film's release.
Celebrate Madhuri Dixit by revisiting her most unforgettable and scene-stealing performances, from her early career breakthroughs to her later nuanced portrayals, showcasing her unparalleled talent and charisma.
Unrequited love, underdog triumph, catch all that and more on OTT this week.
Sonam Bajwa shares her candid experience navigating the pressures of fan expectations and the initial scepticism from Bollywood producers regarding her Hindi film debut.
This week's OTT releases offer a diverse range of genres, from the controversial sequel The Kerala Story 2 and the action-packed Man on Fire to the horror-comedy Raakaasa and the political satire TN 2026, ensuring there's something for every viewer.
Avinash Tiwary reveals how filmmaker Imtiaz Ali challenged him to transcend physical vanity in their upcoming Netflix romantic-drama series, O Saathi Re, marking it as one of his most demanding roles to date.
Lukkhe plunges into Chandigarh's dark underbelly, exploring a drug epidemic, political corruption, and a burgeoning rap scene, though its narrative often feels like a familiar crime drama, notes Deepa Gahlot.
As David Dhawan hints at potential retirement after Hai Jawani Toh Ishq Hona Hai, we revisit his iconic Bollywood comedies that defined an era of entertainment.
This Diwali will not see the three Khans or Akshay Kumar, Ajay Devgn or Hrithik Roshan bringing their films to the marquee, as is usually the norm. Even Ranbir Kapoor, Kartik Aaryan and Ranveer Singh will not treat us to a movie release.
On Raj Kapoor's 38th death anniversary on June 2, 10 soundtracks that reflect the creative crescendos scaled by RK and his musical team.
Netflix unveils a slew of new and exciting film titles.
Vishnu Aravind's Madhuvidhu is a family entertainer that works in parts but falters when its drama turns unconvincing, observes Sreeju Sudhakaran.
The Devil Wears Prada is getting a sequel in 2026, and reminding us how Bollywood has consistently delivered films and shows that are not just memorable entertainers but also major trendsetters in fashion.
As Riteish Deshmukh turns director again with Raja Shivaji, we look at past actors who stepped behind the camera and delivered some of Hindi cinema's most memorable films.
As Vijay is set to lead Tamil Nadu after a historic electoral win, we take a look back at films that built his mass appeal while affirming how cinema shaped his larger-than-life public persona.
Despite the IPL taking up maximum eyeballs, OTT offers a wide selection of original films, web series and movies making their digital premiere in April.
Tu Yaa Main feels rather indulgent for a survival drama. You can see where it's headed, and it just grows tiresome after a point, observes Mayur Sanap.
Underwater predators make life hell for everyone from Bollywood's Shanaya Kapoor to Bridgerton's Phoebe Dynevor on OTT this week along with much, MUCH more.
Marketed as a Valentine's Day treat, audiences can expect to be mildly entertained by the surface-level intimate scenes in Wuthering Heights that only leave you thirsty for the real, raw passion, notes Divya Nair.
Dacoit: Ek Prem Katha keeps promising something exciting, emotional, thrilling, only to rob us off of that experience of masala entertainer it teases, sighs Mayur Sanap.
Even as Benedict and Sophie steal sultry glances and get intimate, one crucial thing is missing all throughout, notes Divya Nair.
As Priyanka Chopra Jonas returns as the debonair spy Nadia in Citadel Season 2, we take look at how her Hollywood projects stack up against each other from underwhelming to standout.
Action, attraction, animation, it's all there on OTT this week. Take your pick from Sukanya Verma's eclectic menu.
Romance and action rule the roost on this week's OTT special. Take your pick from Sukanya Verma's eclectic menu.
Nothing about TMMTMTTM feels fresh. That includes the painfully uninspired romance between the leads, who lack both genuine chemistry as well as individual charm to make a romantic drama like this work, sighs Mayur Sanap.
A fanciful air envelopes Aap Jaisa Koi's modest drama, of a story lost in its own bubble that's only burst by villains in the form of judgemental jerks and heroes in need of rescuing, observes Sukanya Verma..
